{"id":1282,"date":"2026-05-05T07:09:28","date_gmt":"2026-05-05T07:09:28","guid":{"rendered":"https:\/\/omnimusica.org\/?p=1282"},"modified":"2026-05-06T08:11:25","modified_gmt":"2026-05-06T08:11:25","slug":"denis-bajrektarevic","status":"publish","type":"post","link":"https:\/\/omnimusica.org\/?p=1282","title":{"rendered":"Sund"},"content":{"rendered":"<div id=\"pl-1282\"  class=\"panel-layout\" ><div id=\"pg-1282-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1282-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1282-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\">Sund je zvu\u010dni prostor u kojem granice izme\u0111u izvo\u0111a\u010da i posmatra\u010da nestaju. U svojoj sr\u017ei, to je ogoljeno istra\u017eivanje ljudske emocije koje o\u017eivljava kroz \u017eivi kolektiv, stavljaju\u0107i u prvi plan samu \"sr\u017e\" nastupa\u2014fizi\u010dku, neponovljivu energiju instrumenata i bi\u0107a u prostoriji.<br \/>\nNa bini Omnimusice, Sund ne \"predstavlja\" viziju, ve\u0107 bend i publika postaju jedan zajedni\u010dki kolektiv koji \u017eivi prostor kroz direktnu vibraciju zvuka i simbola. To je fuzija organske topline i o\u0161trih digitalnih odjeka, gdje muzika slu\u017ei kao most izme\u0111u intimnog i univerzalnog. Ovo je nastup oslobo\u0111en pretencioznosti, fokusiran na zajedni\u010dku stvarnost trenutka\u2014simbioti\u010dko iskustvo u kojem publika i kolektiv na bini di\u0161u kao jedno.<\/p>\n<p style=\"text-align: justify;\">NAPOMENA ZA KOLEKTIV: Prije konzumiranja sadr\u017eaja projekta Sund, pa\u017eljivo pro\u010ditajte prilo\u017eenu informaciju. Tokom procesa stvaranja, od po\u010detne ideje do finalnog slu\u0161anja verzija, udio vje\u0161ta\u010dke inteligencije (AI) mo\u017ee varirati od 0% do 99,99...%. Iako AI slu\u017ei kao asistent ili ogledalo, proces nikada nije 100% automatizovan; ljudska intervencija ostaje klju\u010dni faktor. Izuzetak su tekstovi pjesama koji su u potpunosti (100%) organskog, ljudskog porijekla. Za ne\u017eeljena dejstva i egzistencijalna pitanja, obratite se sopstvenoj intuiciji ili osobi do vas. U suprotnom, budite.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1283 size-full\" src=\"https:\/\/omnimusica.org\/wp-content\/uploads\/2026\/05\/6624-e1777964862997.jpg\" alt=\"\" width=\"1224\" height=\"655\" srcset=\"https:\/\/omnimusica.org\/wp-content\/uploads\/2026\/05\/6624-e1777964862997.jpg 1224w, https:\/\/omnimusica.org\/wp-content\/uploads\/2026\/05\/6624-e1777964862997-300x161.jpg 300w, https:\/\/omnimusica.org\/wp-content\/uploads\/2026\/05\/6624-e1777964862997-1024x548.jpg 1024w, https:\/\/omnimusica.org\/wp-content\/uploads\/2026\/05\/6624-e1777964862997-768x411.jpg 768w\" sizes=\"auto, (max-width: 1224px) 100vw, 1224px\" \/><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Sund je zvu\u010dni prostor u kojem granice izme\u0111u izvo\u0111a\u010da i posmatra\u010da nestaju. U svojoj sr\u017ei, to je ogoljeno istra\u017eivanje ljudske [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1289,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/posts\/1282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1282"}],"version-history":[{"count":2,"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/posts\/1282\/revisions"}],"predecessor-version":[{"id":1290,"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/posts\/1282\/revisions\/1290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/media\/1289"}],"wp:attachment":[{"href":"https:\/\/omnimusica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}