{"id":311,"date":"2022-02-08T12:31:50","date_gmt":"2022-02-08T12:31:50","guid":{"rendered":"https:\/\/omnimusica.org\/?p=311"},"modified":"2022-02-26T21:34:54","modified_gmt":"2022-02-26T21:34:54","slug":"zeljko-mandaric","status":"publish","type":"post","link":"https:\/\/omnimusica.org\/?p=311","title":{"rendered":"\u017deljko Mandari\u0107"},"content":{"rendered":"<p style=\"text-align: justify;\">Predstavljamo vam jo\u0161 jednog perspektivnog gitaristu koji \u0107e uzeti u\u010de\u0161\u0107e na Omnimusica 2022. U nastavku pro\u010ditajte kratku biografiju umjetnika, a mi se nadamo odli\u010dnoj budu\u0107oj saradnji!<\/p>\n<p style=\"text-align: justify;\">\u017deljko Mandari\u0107 ro\u0111en je 1984. godine u Mostaru. Gitarom se po\u010deo baviti 1994. godine u \u010cerinu, gdje je zavr\u0161io osnovnu \u0161kolu, a srednjo\u0161kolsko obrazovanje nastavio je u Dubrovniku. Na Umjetni\u010dkoj akademiji Sveu\u010dili\u0161ta u Splitu zavr\u0161io je studij gitare u klasama prof. Maroja Br\u010di\u0107a i prof. Gorana Liste\u0161a. Za vrijeme studija usavr\u0161avao se na majstorskim te\u010dajevima kod nekih od vode\u0107ih gitarista dana\u0161njice (Z. Duki\u0107, A. Desiderio, C. Marchione, M. Dylla, D. Azabagi\u0107, A. Vidovi\u0107). Kao profesor gitare radi i nastupa u Hrvatskoj i Bosni i Hercegovini, te kao \u010dlan \u017eirija sudjeluje na dr\u017eavnim i me\u0111unarodnim natjecanjima. Suosniva\u010d je me\u0111unarodnog seminara klasi\u010dne glazbe \u201eArdea\u201c, prvog takve vrste u Bosni i Hercegovini.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Predstavljamo vam jo\u0161 jednog perspektivnog gitaristu koji \u0107e uzeti u\u010de\u0161\u0107e na Omnimusica 2022. U nastavku pro\u010ditajte kratku biografiju umjetnika, a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":313,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/posts\/311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=311"}],"version-history":[{"count":1,"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/posts\/311\/revisions"}],"predecessor-version":[{"id":563,"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/posts\/311\/revisions\/563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=\/wp\/v2\/media\/313"}],"wp:attachment":[{"href":"https:\/\/omnimusica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/omnimusica.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}